Sayori
纱世里
Dan wanted the "heavy hitting stuff with Sayori" to come before you hang out with Natsuki or Yuri for the weekend so that it'd be in the back of your mind the whole time.
Dan曾想要在周末你和夏树或者优里出去前就让“纱世里的重量级消息”对你重拳出击，这样它就能一直萦绕在你的脑海里。（啊Dan怎么这么坏）
After Dan wrote Sayori's confession scene, he worried it was too "out of left field" so he went back and added more hints at Sayori's depression.
在Dan写完纱世里的坦白后，他担心这有些太“意料之外”，所以他又回头增加了更多对纱世里抑郁症的暗示。（呜呜呜）
"In a lot of dating sims, the protagonist always knows exactly what to say in order to make [characters] feel better. They just magically say the right thing and things are better magically, but this is a scenario where, if [Sayori]'s really suffering from depression then he can't just say or do anything that makes it better. She's in a situation that she can at most be comforted in certain ways, but when the protagonist is responding to her, he is visibly at least a little bit frustrated because he doesn't fully understand her feelings and doesn't fully understand what he can say or do to make it better. Like he's saying 'I can be here for you and give you my support, but I don't understand how that's not enough.'... For someone like him who doesn't really understand how she's feeling it would be like so difficult to figure out the right thing to say."
(Moral: MC is dense but trying his best.)
“在很多galgame中，主角总是恰好知道为了让【角色们】感觉好点该说些什么。他们只是魔法般地说了正确的话，然后事情就能神奇地变得更好，但在这个剧本里，如果【纱世里】真的经历着抑郁的折磨的话，那主角肯定不能只是说或者做点什么就能让事情变好。她的情况是，她最多能从某些方面获得一丝安慰，但当主角回应她时，他显然没有产生多大效果，因为他并不完全理解她的感受，而且也不知道说或者做些什么能让情况变好。就像他在说‘我可以在这里给予你我的支持，但我不明白为什么这还不够。’……对于一些像他一样不是很理解她的感受的人，要想说出对的话就太难了。"
（启示：MC很迟钝，但他尽力了。）
"It was really really interesting to take the tropes that this character often has, like waking up late or caring so much about other people being happy, and like giving it that layer... Like adding that little more depth behind a character that makes you actually care about them."
“使用这种角色常有的暗示真的非常非常有趣，比如起晚了，或者非常在意别人的开心，比如让它更进一层……像给一个角色增加一点深度，让你真正关心他们。”
"The protagonist wants to be there for her, but she is literally not letting him. Like if that's what it means to be someone's close friend, to be there for them, and she's literally shutting him off and not letting him share that part of her life or share the burden... it feels like you're not being trusted. That's probably what the protagonist is feeling" (on the "betrayed as a close friend" line)
“主角想尽力帮助她，但她却不让他这样。如果那意味着成为某人的密友，困难时雪中送炭，她却阻止他，不让他分享她生活中那部分或共担重负……那感觉就像你并不被信任。这应该就是主角所感受到的。”（在“作为密友被背叛（纱世里撞见MC和别的女孩搂搂抱抱）”的对白）
"It's not until you join the club and start making friends with the other girls that she realizes that she has feelings for you." (also) "She probably hates the fact that she has feelings for you," (because of the situation it puts her in).
“直到你加入文学部并且开始和其他女孩交朋友，她才意识到她对你有感觉。”（同样）“她痛恨她爱你的事实。”（因为她因这种感情而所处的困境）（呜呜呜）
There was almost a CG of MC and Sayori hugging in her confession scene, but Dan decided to save it for if you accepted her confession.
在纱世里坦白的情景中差点就有一个MC和她拥抱的CG，但Dan决定留着它，留到第二天你接受了她的表白后用。
"Maybe if Sayori hadn't shown up [after you spend time with the other girl (Yuri in this case)] you would have the option to push her away like 'I've already got my waifu, you can't seduce me with that sweater or that... luscious purple hair.'" I think he likes Yuri.
“可能如果纱世里没有露面【在你和其他女孩共度时光后（这里是优里）】，你会有一个选项来推开对方，比如‘我已经有心爱的人了，你不能用那什么毛衣或者额……飘逸的紫色长发来引诱我。’”我觉得他喜欢优里。
On the chat trying to make Dan make a poll for whether or not to accept Sayori's confession: "And no, you don't get to make the choice, of course I'm going to accept her confession. We went for Sayori this whole time and also the other scene is just way to painful I'm not going through that. Like I felt so incredibly sad while writing that scene where you turn down her confession like why am I letting people do this it's so sad." (in short, Dan is still emotionally effected by DDLC and wants Sayori to be happy.)
当聊天中观众试图让Dan进行一个是否接受纱世里的表白的投票时：“没门，你们不用投票，我肯定会接受她的表白的。我们这次就是为纱世里而来的，而其它路线只是通向痛苦之路罢了，我绝不会那样做的。正如我在编写你们拒绝了她的表白的情景时所经历的巨大悲伤，就像我为什么让人们这么做一样，这真是太难过了。”（简而言之，Dan仍深受DDLC的触动，而且想要纱世里开心。）
"Even if you say that you love her, I want it to not feel too right."
“即使你说你爱他，我也不想你感觉太对。”（太坏了）
"The point at which you make this decision, Monika probably wants to push Sayori to her limits here, and Monika is probably not letting her be happy."
“在你做选择的时候，莫妮卡很可能想绷断纱世里的弦，而且莫妮卡不想让她开心。”
"She's like desperately hoping that the protagonist is able to help her, but of course he's not because that's the point of this game. The point is that this is not a 1-dimentional tropy dating sim it's like a real thing that this person is experiencing and it's going to work in a much more real way where you can't just magically make a choice and fix their problems and give them a happy ending."
“她好像绝望地希望主角能帮助她，但当然，他没有，因为这就是这个游戏的点。重点在于这不是个单调老套的galgame，它像是这个人正在经历的真事，而且是以一种更加真实的方式呈现的，你不能刚好神奇地做出了选择并解决了她们的一切问题，然后给她们一个皆大欢喜可喜可贺的好结局。
On the day of the festival: "It was very intentional to not have music through this whole sequence because it makes it feel weirdly creepy before it actually gets creepy."
在学园祭的那天：“这整组镜头不配乐的目的是很明显的，因为这能让它变得有点恐怖——在它真正恐怖前。”
On the rush to Sayori's house on festival day: "It was interesting seeing people going into this scene and expecting different things. A lot of them knew early on what was going to happen and other people just thought that the game was trying to scare you but 'oh this type of game would never do that' and so they didn't think it would actually happen."
在学园祭那天冲向纱世里家时：“看别人游玩这到这里并期待各异非常有意思。很多人早就知道会发生什么，而其他人只是觉得这个游戏会悬着你，而这种甜甜蜜蜜的gal不会真出什么事的，所以他们不觉得真会发生什么事。”
On the "Sayo-nara" scene: "I spent quite a long time designing this scene, like the various effects and how it syncs with the music. I didn't know what sort of effect it would have on people. Something I was constantly afraid of when making this game was that it was not creepy enough or not disturbing enough since I didn't have the same perspective since I was the one making the game I didn't know if the effect would be there." (good grief Dan "not disturbing enough"?)
“Sayo-nara”时：“我花了相当长的时间来设计这个场景，比如各种特效以及如何让它们与音乐同步。我当时不知道它对人们会产生什么效果。开发时我一直担心它不够恐怖不够吓人，因为我是开发游戏的人，不是从玩家的视角去看的，所以我不知道它会是什么效果。”（Dan你担心的好啊，“不够吓人”？）
"This is the very first instance where the game does something without you clicking to advance. That's the first rule that the game decides to break. Things can happen when you don't click for them to happen."
“这就是游戏不在你的点击下自己推进的第一个实例。这是游戏决定打破的第一条规矩。当你不操作时它也能自己进行了。”
Dan uses his developer hax to gently close the door. (not even joking. He did it twice so we got to gently open the door 3 times. Big oof.)
Dan用他的开发者之力轻轻地关上了门。（不是玩笑。他关了两次，所以我们轻轻地推开了三次门。尼玛。）
"There was a time when I was working on this animation [Sayo-nara] in an airport and I had to keep looking over my shoulder to make sure no one was like seeing this horrible imagery of a character committing suicide over and over."
“有一次我在机场搞这个动画[Sayo-nara]的工作，我必须不停往后看，来确保没人看到这种二次元可爱少女一遍又一遍地自杀的地狱绘图。”
"That's another rule that's broken here, all of a sudden there's movement and animation and the whole screen is doing stuff."
“这里还有一条规则被打破：突然产生的各种动作和动画，整个屏幕都在鬼畜。”
Sayori being glitched on the title screen originally didn't happen until the end the first day of act 2.
起初，纱世里在标题界面的故障立绘在二周目第一天的结尾才出现。
Originally in the released version of the game, if you tried to quit the game in the Sayo-nara scene the "do you want to quit" dialogue box would be all messed up, but Dan decided that it was too cruel and changed it back to normal in a patch. If someone is trying to quit the game during that scene, it's probably because it's too much for them and Dan thought it would be unfair to them to not let them get out if they need to.
起初，在游戏的发行版中，如果你在Sayo-nara的场景中尝试退出，“你确定要退出吗”的对话框原本会全被搞得一团糟，但Dan觉得这太残忍，在一个补丁中把它改回了普通的样子。如果有人在那里尝试退出的话，大概是因为他们无法接受如此场面，而Dan觉得让想退出的人退出不了不太好。
